future room records presents...
"A World of Aliens: Battle for Earth" was the source for the text used in "The Sound Mirror" recording, and was the 2nd "Big Picture" Mini-Book following "The Future Room"...

A World of Aliens…

I was sent on a fact-finding mission by Intergalactic Counsel, an umbrella Control organization located in the same celestial quadrant as earth. There had been a series of alarming images, intercepted from earth media sources, depicting aliens as silver in color, which was brought to the attention of the Central offices at IC. This was alarming to Intergalactic Counsel because such images of silver aliens have proven to be warning signs of planetary decline which we had witnessed before in other civilizations in the quadrant.

In the Milky Way and her three sister galaxies, there is a trend of evolution. Beings evolve first from their own native state, and then progress to the making of tools, machines, devices external and non-organic, which are used to evolve the species. In our particular galactic region, these external devices always correspond to certain base forms of metal alloy. Silver in color.

Often, in the progression of a species and civilization, the over reliance on the external causes a lack of internal balance resulting in species-wide psychic illness. In the case of earth, it is feared, this depiction of aliens as silver was a sign that reliance on their technologies had become overwhelming to the Organic Vehicle, and that the earthling population was in danger of becoming a mechanical (read: silver) technology race. The silver projection is believed to be a reflection of the earth population’s collective prediction of their own future; A WORLD OF ALIENS; a people alienated from themselves.

This kind of projection is regarded with great caution by the surrounding Astral population, who do not wish for earth to become a threat as they develop their kosmic citizenship, hoping that one day, this developing civilization may be integrated with the Greater Kosmic Alliance. So it was, as a matter of Intergalactic security, then, that this voyage to earth was initiated.

The mission [of course]: DEPROGRAMMING of the robot form.

This would require the construction of a small, unofficial culture, from which we could make our tests. While our investigations would require covert action, there is a great resistance on the planet—as our initial investigations uncovered—to the Covert, as the basic religion of the Earthlings is embodied in their involvement with money. And, in fact, the support of money backers known as sponsors, determines the content of public communication. Almost all communication networks on the planet are involved in sponsorship, and only through such sponsorship is validation and legitimacy granted by the larger social body…

Sponsorship which inevitably come from money sources, who are interested primarily in promoting with their money that which would continue the illusion of the value of their money.

All communications that are not conformist to this money religion are exiled, marginalized, or otherwise made to be invisible. Such was our dilemma approaching the Host Ship, Earth.

We isolated a small stretch of territory where an accurate, successful experimentation could be made. Against all likelihood there was a small nook of largely unoccupied urban stretch with suitable and available housing just outside the most vibrant of urban environments on the planet. It was here that IC saw an Open Channel; a test case could be made from these raw conditions.

Williamsburg was almost abandoned even though it was one simple metro stop outside of the Urban Sprawl known to the host population as Manhattan, New York. This was a perfect situation for the realization of our investigation. Only in the most sophisticated populated areas can one find both access to large communication networks of people, and yet the ability to maintain an unchallenged anonymity.

Enter: alien-sponsored PIRATE RADIO, which would be the voice of the silenced minority; those who would hold the most nonconformist perspectives. The radio was to inform the twenty block radius of this small test town. It was important for our purposes that the transmission source remain undetected.

And for this, Control provided us with an immaculate facsimile of normal earth phenomenon, in the form of white migrating birds which constantly circled above the low-rise buildings of Williamsburg, and which would seem nothing out of the ordinary. Except that THESE WERE NOT BIRDS, but a carefully constructed device which sent our pirate signals carrying subversive content to the people of the area, and which could be received only on localized tuned radios to 109.3 on the FM dial.

We were interested in the development of a community base with an exceptionally laid back approach to experimentation, for only in this relaxed state of mental functioning could our subtle influences be received by the human population. The purposes of our mission required that the Williamsburg inhabitants be especially receptive to the act of channeling. Only then could we be certain of the effectiveness of our techniques on this race to re-authenticate their experience. Much like a honing device, we would infiltrate the earth psyche and seek to equilibriate their psychic illness by returning them to a state of source.

Local stores began to thrive, which were opened at odd hours, or at least kept irregular schedules. The Humans had been conditioned to feel very natural about their subjugation to business motives, so it was in part our approach to test their ability to remember other, more pertinent, aspects of value so that money and the machine could return to their original purpose of service. The Earthling had long ago sacrificed their role of master of money and machine, and had inverted the role to act as willing slave to it—slaves by choice to a system they themselves created—as though money and machine had, itself, a will that dictated human action. The relinquishing of control in this relationship, we had realize, was at the heart of the Self-alienation trend we were trying to subdue, and afforded us access, thankfully, to at least one root of the silver disease.

This approach of local businesses, with an “open when we feel like it” attitude--- instilled a sense of fluidity of experience and untraditional but official social structures. Quirkily unrelated merchandise would be paired for sale under one rooftop, such as a travel agency which would also sell futons and a large selection of used books. This would, we hoped, disconnect the perception of “the official” with the limitations usually associated with group-based social structures.

Changing the external environment to re-position the public’s internal processes in such a way that it facilitated a sense of awakening, and a revaluing of the authentic, native self, in this town of Williamsburg—albeit in a somewhat controlled setting—would allow us to see if we could reauthenticate the human population on a larger scale. For this study to reflect a realistic possibility, the draw of personalities could not be localized, but local faces were to be replaced by an international personality with vast backgrounds and exceptional creative faculties.

The Sound Mirror pirate radio would transmit to this new bred of person, setting the mood for a sense of expanded relational dichotomies, enhanced risktaking, and an increase in the complexity of perception relating to concepts of development and freedom.

Without warning or any signs of media encouragement, a strange sense of excitement began to pull people almost inexplicably out of the popular circles of Manhattan and into the mysterious, abandoned warehouse environs of Williamsburg, Brooklyn.

It seemed to visitors that something was “in the air”, even though only weeks prior, they would have sensed nothing at all and not given the rundown area a second thought…though very possibly, many argued, this “something in the air” did have something to do with the nuclear power facility located on North 2nd street, which reached two miles underground. It was likely responsible for the fact that Williamsburg already had one of the highest cancer rates in the United States. With a recent oil spill having left waters partially poisoned, residents were advised to drink only bottled water. The trees in the park had contracted a strange disease. And windows by the waterfront waste dump had to be sealed from the toxicity of the area. It was, all in all, an environmental disaster.

But this too was necessary. The dangers of the area kept rents affordable, and kept people more easily frightened out of the area. Pioneering sprits willing to take health risks for a strong creative opportunity and ample space for artistic experimentation, would be drawn in, without the prospect of any immediate development on the horizon. Big Money Businesses were afraid to invest in an area of such environmental upheaval, and what’s more, there were no banks in the whole township. One had to walk to neighboring Greenpoint just to get access to cash. Otherwise, you were stranded.

These roadblocks to practical living helped the fruition of our experiment enormously. The commitment to the artistic life as lived here was assured by these circumstances, as truly a rarity. Deserted buildings were plentiful for performance art and experimental film events to form by the waterfront without need for printed invitations, allowing word of mouth and pirate radio broadcasts to create widespread and immediate awareness within a small, isolated geographic locale. Naked women with paint thrown down on them by Japanese action artists, with original film and sonic projections from the French underground, mixed with tap dancers who kept beat by means of lion whips, were to be regular features of the Williamsburg art scene. Not to mention the opening of a used clothing store on Bedford and North 11th, perhaps the best and cheapest on the industrialized planet, binding the new sense of community literally by a cloth and shared fabric.

Key features of this community, for our purposes, was that the flock to the area be people who were young enough to be without need for structure in their daily living, yet old enough to be past the green phase that young artists fall into, and which blindly support the commodity reward system that had so deeply retarded the psychic development of the earth-race. Our test group would be people who had already developed past these concerns, having come together to form lives inventively maneuvered and without attachment to commerce or the official culture.

We were pleased and impressed, as creating this subtle magnetic pull was incredibly successful in facilitating our purposes. The field we projected over these blocks changed the psychographic makeup of the area, which quickly escalated from a virtual ghost town with empty subway platforms even at rush hour to a bustling, hip and happening urban mecha only two years later, with stylish innovators and anarchists trailing along the subway platform even at 3 am in the morning. There were parties often formed at 5 am on weeknights without previous notice, debunking the patterns and expectations set up by the Silver Agenda.

The revolution we facilitated was a personal one; a quiet revolution. It was a revolution that occurred in people’s lives, at an intimate level…the way they thought, valued, communicated, expressed, lived. This much was changed. There were no grand protests and upheavals, violence in the street, political offices at stake. Just people in an environment with themselves. For that much, our efforts were a success, and the deprogramming and transformation witnessed, intense and total.

Before long, however, the neighborhood had stalemated, in part by having become too safe. Newspapers and magazines began to hail the reign of the new avant-garde. But by then, young collegiates looking for the scene had repelled and displaced those original innovators who had been the substance of the community. As always, the very act of looking for the scene, in effect, had chased it away. Likewise, with rents being paid for by distant parents, the financial weight on real Williamsburgers had become too much, and the significant period of cultural development that the media was writing about had already largely ended. Revolutions rarely being funded activity.

The important thing to note, for our records, is that Williamsburg was a town.

It was a town like any other.

Williamsburg was a town like any other that, for the most part, never existed.

It never existed because it was an invisible town. A town that inhabited the same physical space as any town on a map, but which contained a coexisting intangible plain which only some had access to.

The good thing about towns like Williamsburg, that never existed, is that they can reappear again at another time…someplace else.

They can exist anywhere. Providing, of course, that you’re the type who could see them.